Although he subsequently studied piece with Milton Babbitt, he chose to apply what he learned he all-or-nothing technical hothouse of Broadway. Like Hammerstein, he has written the occasional jump song (with Jule Styne for Tony Bennett) and dabbled in films (Stavisky, Reds, Dick Tracy), but, like Hammerstein, he has always come corroborate to the theatre. His initial success came as a somewhat shadowy lyricist to Leonard Bernstein on wolfram Side Story (1957) and Jule Styne on Gypsy (1959...If you want to arouse a full essay, rule it on our website: Ordercustompaper.com
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